“The John McLaughlin comparisons are appropriate right from the first clusters of frenetic chording… This quintet with guest keyboardist Matt Kanelos has certainly honed its form over the past eight years; developing the skills to drive home near-heavy rhythms with flights of soloing that are both jazz and rock in construction.”
Delarue, ‘Lucid Culture’ 04/08/11
“On one hand, it’s a surprisingly straight-up groove album, but all those grooves, and most of the surprisingly memorable tunes, are ultimately nothing more than fodder for satire and destruction. …it’s cruel and funny and kind of punk although the band has pretty awesome chops for a punk jazz band… Lundbom [“On Jacation”] plays an absolutely stunning chorus-box solo that finally goes off into skronk at the end. …it hurts a little to give away all these punchlines; on the other hand, no words could really do justice to them. The album is out now on Hot Cup Records – you’ll see this here at the end of the year on our best of 2011 list“
Chris Spector, ‘Midwest Record’ 03/26/11
“The sound of guys with chops losing their minds. Mixing atonal classical with Led Zep moves, these jazzbos come in with marching band music from hell that the offspring of any Residents fan will delight in playing around the dorm. Somehow, I can see Willie Dixon’s grand children bringing the plagiarism suit any day.”
Mike Shanley, ‘JazzTimes’ 12/17/10
Number two ‘Best New Release’ of 2010!!!
George Fendel, ‘Jazzscene’ (Jazz Society of Oregon) August 2010
“This is free jazz with structure, compositional jazz with freedom, fusion with modern classical. There’s room for everyone in this setup, and considering the players, this one leans slightly more melodic, even though it often ends up punching through the layers. These musicians like to push the limit. …certainly a disc that will get some listeners excited about the future of jazz.”
Dave Wayne, ‘JazzReview.com’ 04/20/10
“Lundbom and his group do more than ‘Accomplish Jazz’ they find a nice sunny spot in it, and then roll around, find a nice comfy place, and make themselves right at home… [‘Truncheon’] gives the listener a look into [Lundbom’s] highly original style. Here, Lundbom seems to eschew electronic effects in favor of unexpected harmonic and rhythmic departures, sounding a bit like a hybrid of Blood Ulmer, Sonny Sharrock, and John Scofield… ‘Accomplish Jazz’ is an incredibly impressive third release from a deliriously talented group.”
Mike Shanley, ‘shanleyonmusic’ 03/10/10
“Lundbom is an intriguing composer and an even more idiosyncratic guitar player, writing songs that have wonderfully odd melodic quirks and playing solos with a tone that wouldn’t be out of place in country music. Good country music. …[Lundbom’s] crisp execution is spellbinding. …Since [‘Accomplish Jazz’] came out in December, it’s still eligible to wind up on 2010 year end lists, where it clearly belongs.”
Dr. Matt Warnock, ‘Guitar International’ 02/10/10
“Few modern-jazz guitarists today are able to blend harmonic, melodic and structural ambiguity with such a cohesive voice as Lundbom achieves in his compositions… Lundbom’s guitar solos, like his compositions, will challenge the listener to think differently about the instrument and the genre…highly creative and inventive solos… A genre defying, barrier pushing album.”
Mark Corroto, ‘All About Jazz’ 12/19/09
★★★★
“They [the new young lions] intend to grab jazz by the lapel and shake it with extreme prejudice. A prime example of the new young lions is the band Big Five Chord, the creation of guitarist Jon Lundbom…Lundbom creates music that is neither fusion, jazz core, nor rock. It is pure jazz with rock attitude…Lundbom’s writing presents a skewed perspective and a dissonant swing that pieces together Ornette Coleman’s harmolodics and an incessant pulse…Yes, Big Five Chord do accomplish jazz; a very new jazz.”
Jakob Baekgaard, ‘All About Jazz’ 12/20/09
★★★★
“Lundbom doesn’t fit the boxes that music is so conveniently placed in. His music is just as free as it’s funky. It’s both old-fashioned and ultramodern, avant-garde and mainstream. Simply put, it’s good music, which invites active participation. Accomplished jazz indeed.”