“As the title [‘Jeremiah’] implies, the album is an instrumental jeremiad, more or less. The bustling energy and keenly focused improvisation of Lundbom’s previous live album, Liverevil, take a backseat here to disquiet, anger and cynicism. …The horn charts throughout the album have an unselfconscious, understated poignancy and bittersweet beauty. …Who is the audience for this? People who like edgy sounds, and jazz with a vernacular that relies less on tunesmithing than creating and maintaining mood. This isn’t an album to lull you to sleep or dull your hangover but it sure as hell will make you feel something.”